Lore 2012 Inhaltsangabe & Details
Im Sommer des Jahres treten die fünf Kinder eines geflohenen Nazi-Ehepaars zu Fuß den rund Kilometer langen Weg zu ihrer Großmutter nach Norddeutschland an. Die jährige Lore ist die Älteste und versteht auf der traumatisierenden Reise. Lore ist ein deutsch-australischer Spielfilm von Cate Shortland aus dem Jahr nach Rachel Seifferts Novelle Die dunkle Kammer mit Saskia Rosendahl in. Lore (). Nachkriegs- und Coming-of-Age Drama: Die jährige Lore muss sich unmittelbar nach Kriegsende zusammen mit ihren Geschwistern quer durch. sfbok30.se - Kaufen Sie Lore - langfassung () günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. Lore (). (39)1h 48min Nach»Somersault«der neue Film von Cate Shortland - ausgezeichnet mit dem Deutschen Filmpreis als Bester.
sfbok30.se - Kaufen Sie Lore - langfassung () günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. Ein Film voller Schönheit und Schrecken über die vermeintliche Stunde Null in Deutschland. Von Jörg Schöning. , Uhr. Deutschland, Die Eltern haben sich abgesetzt, die jährige NS-Funktionärstochter Lore (Saskia Rosendahl) soll ihre kleinen Geschwister an die. Fazit: "Lore" stellt die deutsche Nachkriegszeit durch Kinderaugen dar und lässt just click for source dadurch in ganz neuem und erschütterndem Kung fu panda online erscheinen. Man will sich im Wochendhaus verstecken und weiterfliehen. Auf ihrer Odyssee kämpft sich Lore vom Schwarzwald in den hohen Norden, immer gefangen in einer Bilderwelt, die an die deutsche Romantik erinnert. Die Schwestern This web page Saskia Lore 2012, li. Dass sie die deutsche Historie anhand article source jugendlichen Protagonistin verhandelt, liegt nah: Nach click here Kurzfilmen - darunter der programmatisch betitelte "Flowergirl" playboy. de hat Shortland schon in ihrem vielfach preisgekrönten Spielfilmdebüt "Somersault" die Lebenswelt einer Heranwachsenden in betörenden Bildern heraufbeschworen. Unterwegs begegnet Lore mehrmals einem einzelgängerischen jungen Just click for source, der sie zu verfolgen scheint. Kategorien : Filmtitel Deutscher Film Filmdrama. Denn die Deutsche Hannelore laboriert an einem besonders schweren Fall von "Jugendirresein": Sie glaubt noch an den Endsieg. Auch müssen sie lernen, ihr eigenes, rassistisch geprägtes Weltbild der Nachkriegszeit anzupassen. Der Vater ist weigel paco von der Front angereist und drängt zur Flucht vor den anrückenden Amerikanern.
When instead of the final victory the ultimate disaster happened ,they were just not willing to let the dream go. The lead character Lore goes on a difficult journey from teenager to adult when she is suddenly forced to be the head of the family of five children struggling their way through the ruined Germany from South to North through the different zones now occupied by the US, Russia, Britain and France.
The parents who obviously were high ranking Nazis took the easy way out and abandoned the children.
Here in the States nobody since the Civil war experiences the aftermaths of a lost war. All wars are fought far away and only the relatives of the dead or wounded soldiers have to deal with the aftermaths of war while the general population does not have to bear the consequences of the decisions their leaders made.
No bombed out cities, no hunger, no rapes by the enemy soldiers, no fear of being imprisoned, no guilt feelings and no questioning of their own or other's actions.
This film gives a very accurate picture of the postwar Germany and I am qualified to say so as in a way I was the little baby Peter in this film.
I spent my first year of life on the road together with my seven year old brother and my parents ,who were starved to skeletons, selling all the family jewelry and silver for food along the way.
There are no pictures of me as a baby and all I ever heard of my birth was that my mother was scared to death during the whole pregnancy because Berlin was bombed all the time.
Like nearly all Germans of my generation I hate war. I do not know any young boy my age who entered military service, they all chose civil service instead when they were drafted.
Of course I was too little to remember my first year, but I remember very well that nobody talked about the war when I grew up.
Even the teachers in school managed somehow to omit this subject in history classes. I grew up in a society who did not practice racism.
Only when I moved to the US did I learn what racism looks like. I also grew up with friends who came from large families and at the time I thought that my parents had only two children because they married later in life.
Much later I realized that these families with five or six children were following Hitler's population program to produce as many children of the "Arian" race as possible.
What was very interesting about this film was also that people did not like Americans, I do not remember that, I grew up as an European and America was so far away that it did not concern me.
I am so glad that many people in this forum recognize what a powerful film this is. The only very small critique I have is that the people the children meet in the Black Forest would not speak High German, having grown up in this area it just felt so wrong, everybody speaks dialect.
I thought the acting was outstanding , I was already familiar with the actor who played Thomas from the " The White Ribbon.
My compliments to the director I will make sure I will see all her films in future. Eight years ago, Cate Shortland's debut feature cleaned up at the AFI awards, winning 13 awards, an amazing achievement, albeit it in an fairly average year for local films.
Over the passage of time, views have changed and now people have probably been kinder to the film. After an absence of eight years, Shortland returns to the screen with her second feature, Lore, which is based on one episode in Rachel Seiffert's best selling novel The Dark Room.
This is a bleak and foreboding coming of age drama set in Germany in the spring of , during the dying days of WWII. Fifteen-year-old Hannelore newcomer Saskia Rosendahl watches as her father, an SS officer, prepares to abandon the family home.
He burns valuable documents before he heads off to the front and certain death. When news reaches the family that Hitler has been killed, Hannelore's mother surrenders to the Americans, leaving the teenager in charge of the rest of the family.
She is charged with helping her siblings — younger sister Liesel Nele Trebs and twins Jurgen Miki Siedel and Gunther Andre Frid and baby Peter — travel across a divided Germany to reach their grandmother's house in Hamburg, some kms away.
They journey across an inhospitable environment and face hunger, exposure from the elements and even capture. Lore is resentful of her responsibilities, and is also fiercely anti-Semitic.
But she has to form an uneasy alliance with Thomas in order to survive their treacherous journey. Lore is forced to rethink her ideology and National Socialist beliefs in the face of the new reality for the defeated and occupied Germany.
Lore is a dark coming-of-age tale about the loss of innocence, awakening sexuality, identity and family. Lore is forced to deal with the consequences of her actions and question her beliefs, and much of the film unfolds from her perspective, which lends a fresh insight to the traumatic experiences and the harsh world around her.
Although it is dealing with familiar themes and universal issues, the setting gives the material a freshness and realism.
Shortland eschews conventional narrative structure here, often working in short, sharp takes, and she uses imagery and sensations to create a gradual sense of dread.
Shortland has a distinctive vision for the film, and this is a more assured and mature piece of filmmaking than the flawed Somersault.
The dialogue is all delivered in German, with subtitles, a risky move. The central character is initially unsympathetic, but Rosendahl's performance is mature and assured, and she captures the complex emotional journey of the character well.
It is not an easy film to warm too, but audiences soon become emotionally invested in her plight and her arduous journey. Shortland is aided by the lyrical cinematography from Adam Arkapaw who has previously worked on films like Snowtown and Animal Kingdom, etc , which captures the bleak beauty of the setting.
There is some breathtaking imagery, and the close-ups of flowers and thistles and the bleak beauty of nature creates a stark contrast with the ugliness and horror of war and the desolation of the ravaged countryside.
A co-production between Australia and Germany, Lore is a harrowing and affecting drama. Lore is an intense drama involving a period of post-WW II German society that is rarely if ever examined and to do it, as this film does, from the viewpoint of German children caught up in these tragic days is worth a visit just out of curiosity.
However, this film does not just take a dispassionate look from the viewpoint of historian's or news print, rather because of the wonderful direction of Cate Shortland, this movie moves completely away from ordinary story telling into the far less examined area of psychological change.
Superficially this story is about a family of young children who are forced because of Germany's WW II defeat to make their way from the Black Forrest to their grandmother's home near Hamburg in northern Germany.
The story concerns the time before that long journey, the incidents of that journey and finally their arrival at their grandmother's home.
Sounds simple and straight forward but the devil, as they say is in the details, or rather the story. As the story unfolds while the children attempt to reach the grandmother's home, the viewer explores through the eldest, who leads this group, many of the consequences of her past history as a child growing in this family with all the mental baggage implied by this maturation.
The drama is carried by this eldest child, Saskia Rosendahl, to whom many of the film's incidents occur. Moviegoers might be struck by the close-ups used by the director; most of the movie's shots are taken at that range and viewers may not like the method.
It contributes to an extremely distinct film, along with the story as well as Rosendahl's superb acting, which must affect the viewer and this after all is why we attend movies to begin.
I just wanted to add a bit after reading some of the negative reviews. The transformation of Hannalore during this film was expressed excellently.
From the ashes falling on them in the woods to her dependence on a Jew during her travels to her rebellion at the end..
Without a word spoken, the director was able to show the audience the subtle steps of her new awareness. I think that is what this movie was about.
The story jumped from scene to scene without smooth transitions, but Hannalore's changing world view was very easy to grasp and understand.
Each scene was developed to tell that story. I don't usually appreciate a director's use of camera angles, lighting, catching the right facial expressions, musical scores, and color tones.
I think the director did a masterful job of depicting Hannalore's situation onto the audience without a lot of verbal exchange using those techniques.
This review contains spoilers. If you have not seen the film then please don't read this review. My thoughts after the movie: I think the movie is about how everything Lore has been told to believe has been a lie.
I think "Thomas" was not a Jewish survivor but someone on the run. I think he may have worked at the camp and therefore had stolen the ID of a real Jewish victim.
He may have even given himself the tattoo. The signs pointing to him not being an actual refugee are: 1 we first encounter him at that chicken farm.
A woman had been raped and murdered and the egg shells leading from that crime scene lead to "Thomas". He had been hiding there.
I think he raped that woman. A normal survivor would be sickened and would not want anything to do with a German girl.
He is resourceful. The German army destroyed the bridges to that the Americans would be delayed. A prisoner at a Concentration Camp wouldn't have known that.
She calls him with anti-Semitic insults and he is not bothered 7 he escapes when he loses his papers.
He was probably SS and using every trick to escape 8 One of the young boys had taken out the photo of their SS father. He was a Nazis and he was on the run Lore sees all the lies at the end and everything clicks for her and that is why she breaks those figurines because she realises everything has been a lie and therefore she believes that Germans murdered Jews and she has had enough it.
She doesn't want to be part of those beliefs. She is sickened by it. MattyAndAnnika 20 August Lore released in directed by Cate Shortland was an amazing film with very few negative points.
Lore is a film about her leading her siblings on a journey that exposes them to the truth of their parents' beliefs. In the days of Adolf Hitler when all came crumbling down and finally to an end.
Lore in this film was the daughter of a Nazi militant, who he in the end was running to hide. Lore and her brothers an sisters didn't realize what her family was, they only knew what they we brought up to think.
Lore ends up having to take her brothers and sisters far from the area being if they were found they would be put to death.
This movie is outstanding! Caught it last night on Netflix based on the ratings of Lore on Rotten Tomatoes website.
Netflix rating had a low score of which usually when we see a low star count we don't bother watching.
To our surprise this film was remarkably put together, the acting was top notch, and the affect omg; so realistic. It is a slow film working off of every detail, keeping you on your toes to watch; it is impossible to stop viewing it.
It's a frightening film, knowing that things on both sides of the spectrum can be so easily misplaced within morality.
The only thing that was bad or upsetting about the film, is the way it ended. You'd have to see it to decide for yourself, But think it's brilliant work!
Check out the trailer below. My parents were both prisoners of the Nazis. My mother was imprisoned in Aushwitz and my father was taken to a Russian work camp.
The trials and tribulations of Lore were hell;but, not as bad as I heard from my parents stories. Both my brother Leo and I are very lucky that our parents made it through that hell alive!
There history of WWII always leaves me with tears and even worse, " I never had the feeling of hugs from grandparents. As a youngster all my friends and neighbours had grandparents.
I was always so sad when my mother told me how the Nazis Germans murdered so many of my relatives.
Thank You, Harry Grunstein. Went to this film because almost all German film I saw in the last couple of years were far above the average , did not regret the decision in this case either.
Yet the film has a "hidden" layer that makes it a great film. I find it is as much about the inner journey that Lore goes through as it is about the survival journey she makes in the real world.
She is abruptly thrown from a privileged place as a member belonging to the highest class of society with well defined dogmas and certainties on which she was raised all her life to a chaotic reality where you have to steal , lie , kill and even take the help of a person with Jewish papers for her something more horrible than the other crimes in order to survive.
The process of total shattering of her former inner beliefs and convictions as the film progresses is very clearly manifested in the last scene in her grandmother's house.
The story is grim and dense, but features one hell of a lead performance. Shortland combines wonderful visuals with a brutal story of survival, involving family and patriotism, and a running commentary on the state of Germany after the fall of the Third Reich.
As the German army collapses in the spring of , the breakdown of a family serves as a microcosm of a country in despair in the closing days of World War II.
Lore Saskia Rosendahl and her four younger siblings are abandoned as their Nazi- supporting parents are forced to flee the Allied forces.
As they travel on foot to their grandmother's house in Hamburg, the children encounter a young Jewish refuge, Thomas, on whom they are forced to rely for both food and safe passage through Ally-occupied lands.
As she is exposed to the lies of their parents, and begins to develop feelings for one whom she has been taught to hate, Lore is forced to come to terms with a belief system that is quickly unraveling.
It's the children that have to do all the heavy lifting in the film dramatically, and they carry their weight, and then some.
The film is anchored by a remarkable lead performance from Rosendahl, who comes across as a seasoned veteran, despite this being her debut performance.
Her character goes from obnoxious adolescent to young adult, via a series of confronting moments where her morals and beliefs are challenged.
Her vibrant youthful spirit is replaced with a burning rage with a war torn Europe as the backdrop.
A new perspective on an event often forces an audience to confront disturbing realities they may wish to avoid.
Although "Lore" relates a story from the second world war, it reveals the point of view of those we do not often consider: children of a high-ranking Nazi official.
This story may not be pleasant, but it is certainly fascinating. I saw this film at the Sydney film festival, and I really loved it.
The acting is great, especially the young cast who all give very emotionally mature performances. The film walks a line between an accurately detailed portrayal of an historical past, and a personal and emotional journey of an individual namely Lore played beautifully by Saskia Rosendahl.
I am pleased to say it does this very cleverly, always holding these two at an appropriate tension, which results in an honest empathy between us and the characters.
I would highly recommend you watch this film. A fascinating piece of cinema, and worth every star it is given; a glimpse into an apocalyptic and fertile but all too rarely explored place and time.
Yes, on second viewing, those sometimes camera angles began to grate, but there were more than enough pearls to make up for that.
Of greater significance for me though were the divergences between Shortland's vision, and that of Rachel Seiffert in her book, The Dark Room, from which Lore is taken.
Helmut, the first story, deals with the period up to the end of the war; Lore the immediate aftermath, and Micha, an exploration of the question of war guilt from the perspective of the late s.
The short story depicts none of the overt sexual tension which ultimately developed between Lore and Thomas on screen note when they are in the abandoned bomb-making facility , and indeed, Seiffert's Thomas was an emaciated and sparsely-toothed older man, far removed from Malina' s character.
The eeler, the boat and the crossing of the river. This was a critical moment in the movie. A point from which there is no turning back.
Lore's cry of "what have we done? But the scene, an example of the violence this movie so vividly portrays — and for which it is often criticised — was again not contained in the book.
And finally, the depiction of Oma's idyll on the Baltic Coast, Lore's ultimate destination, untouched by war and a refuge; a refuge too for her unreconstructed grandmother.
Your parents did nothing wrong. No such idyll in Seiffert's version though, but rather a far more realistic and utterly devastated urban Hamburg.
Watch Gerhard Lamprecht's sublime Somewhere in Berlin to get an idea. These few points of comparison though are not meant to be any criticism of such a magnificent movie, but rather they are examples of how, so often, screen adaptations can go down unforeseen pathways.
A motion picture and a short story of significant merit. Buddy 3 August Lore played by the remarkable Saskia Rosendahl is a young woman who is forced to flee with her parents and four younger siblings into the Black Forest when the Americans "invade" their country, arresting Nazis and Nazi-sympathizers and liberating the concentration camps.
When the mother and father are eventually apprehended, Lore is left to struggle on her own to provide for herself along with her sister and three younger brothers one a newborn as they search for the home of their paternal grandmother.
The screenplay by Robin Mukherjee and director Cate Shortland challenges the audience by asking us to empathize with a main character who is an unapologetic supporter of Hitler and a confirmed anti-Semite to boot even if we sense it is a result of her background and upbringing.
In fact, most of the people she encounters on her journey share similar delusions about their dear leader, whom they clearly still worship even in death.
They've even convinced themselves that all these pictures they're being shown of the concentration camps is mere staged "propaganda" by the Americans - an attitude clearly designed to assuage their own guilt and deny their own complicity in the horrors their beloved Fuhrer brought about.
This anti-Semitic philosophy is really put to the test when Lore and her siblings encounter Thomas Kai Malina , a young Jewish man who claims to have spent time in a concentration camp and who helps the family in their struggles.
The writers clearly know that the audience, craving reassurance amid all the moral chaos, would like the characters' actions to be guided by an adherence to at least some type of moral code, yet the movie, aiming for a much more insightful and honest depiction of human nature, stubbornly refuses to cater to that desire.
In a similar way, the relationship between Thomas and Lore remains enigmatic throughout, and, only towards the end, does Lore appear to be coming to terms with the fact that everything she's been taught and raised to believe in may, in fact, be a lie.
Yet, even with that slight ray of hope at the end, the thesis of the movie seems to be that there is nothing enriching or ennobling about war, and that when it comes down to a choice between survival and morality, survival will win every time.
Morals and ethics, it appears, are fine when one has the comfort of civilization and the luxury of peace to accommodate them, but when one doesn't, it truly becomes a case of every man and, in this instance, every woman for himself.
That may be a bleak and disturbing picture of mankind but, in the world of this movie, it seems a brutally honest one. As director, Shortland consistently juxtaposes the ugliness of the characters' lives and situations with the lyricism of the photography and setting.
The result is a though-provoking and artful addition to the litany of films about the Nazi era. Lore isn't a bad movie. If it was not for the ending that I didn't really like I would have scored it a bit more.
But the story, the filming and the actors were all good. It's a nice example that your kids will grew up like the parents learn them to behave.
Just like dogs, you don't have mean dogs in the beginning, you have mean dogs because of their education.
In this case Lore, the eldest of a whole bunch of kids, learns from her Nazi parents to hate Jews. And the rest of the story is the long journey across Germany after the defeat of the Nazis, where she has to rely on a Jew, the human being she's supposed to hate.
It's a lesson for everybody, that the nationality, religion, or color of your skin don't matter. There's good and evil in any race or religion.
Just don't assume everybody is bad because that makes you the bad one. Lore shows the cruel times people had to endure in wartime and even after the war.
Not a bad movie at all. I absolutely love this movie. Its one of those drawn out and action over words movie or in other words, "analyzing" movie , so you have to paid attention.
I'm glad i found it Netflix. The movie was intense. It made me question how people we label as "bad" think of us. Also, the "staring match" that was going on between the two main characters was indescribable.
I want to said that it was wrong what was going on with them, considering she was suppose to be BUT, i had hope there was a happy ending.
However, I still love the ending, way more realistic and tragic. After watching the movie, I was "hooked" for days.
I didn't want it to be over. Especially, with the unanswered questions who is Thomas? BUT i gotta confessed those questions made me love it more.
I'm so upset that I can't find the alternate ending. Supposedly, it's not available in some countries. An error has occured. Please try again.
German movies. Recent WW2 Movies. The World War II. Share this page:. During this journey, they had to face the best and worst of human nature in their encounters with others.
Some tried to help, whilst others only cared to take advantage of their predicament. An interesting scene was in the house of a woman who had a framed photo of the Fuhrer and said: Can you believe the lies they said about him?
The endeavour got even more interesting when their paths crossed with a young Jewish man, who though seemed helpful the young lady in charge had to face a dilemma: In this difficult hour, do we get the help we desperately need from someone willing, or because I was brought up believing he is part of a filthy, inferior people I should just disregard him?
The sexual tension between the two is also pivotal for the outcome of this adventure. Furthermore, it seemed incomprehensible to this young person, how the country of superior people that was meant to lead the world is now occupied and divided into a Russian, American and British zones.
He hear somewhere in the film: I am German and this is Germany. A striking, sensitive film about growing up suddenly, the extreme sides of human nature and where the ultimate battle for survival can lead us to.
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Edit Cast Cast overview, first billed only: Saskia Rosendahl Hannelore Dressler Nele Trebs Liesel Mike Weidner Junger deutscher Soldat Ursina Lardi Mutti Hans-Jochen Wagner Vati Nick Holaschke Gunter Dressler Mika Seidel Jürgen Dressler Sven Pippig Farmer Philip Wiegratz Helmut Katrin Pollitt Farmer's Wife Hendrik Arnst Thomas as Kai Malina Ulrike Medgyesy Learn more More Like This.
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