Erik johansson

Erik Johansson HASSELBLAD AMBASSADOR

Erik Johansson ist ein in Prag geborener schwedischer Künstler, der surreale Bilder schafft, indem er Fotografien und andere Materialien neu kombiniert. Erik Johansson is a photographer and retoucher from Sweden based in Berlin, Germany. He regards photography as "a way of collecting material to realize. Tsd. Abonnenten, folgen, Beiträge - Sieh dir Instagram-Fotos und -Videos von Erik Johansson (@sfbok30.se) an. Erik Johansson: Imagine: sfbok30.se: Johansson, Erik: Fremdsprachige Bücher. Erik Johansson ist der Name folgender Personen: Erik Johansson (​Eishockeyspieler) (–), schwedischer Eishockeyspieler; Erik Johansson (Moderner.

erik johansson

erik johansson schauspieler. Photographer Erik Johansson, Stockholm. Gefällt Mal. Facebook page of Photographer Erik Johansson. Here on Facebook I post new stuff I do. Erik Johansson ist der Name folgender Personen: Erik Johansson (​Eishockeyspieler) (–), schwedischer Eishockeyspieler; Erik Johansson (Moderner. erik johansson Hasselblad Ambassador Erik Johansson a photographer and visual artist from Sweden based in Prague, Czech Republic. Recognized for his surreal, out of this​. Photographer Erik Johansson, Stockholm. Gefällt Mal. Facebook page of Photographer Erik Johansson. Here on Facebook I post new stuff I do. Amazing work by photographer Erik Johansson! Been waiting for this book since I read about the project and can't wait to have my own copy. His images make. Der Fotograf Erik Johansson erregte unsere Aufmerksamkeit durch seine kunstvollen Bilder und seine jungen und frischen Ideen. Er nutzt die Fotografie zum. erik johansson schauspieler. Wie Sie sehen können, sind das keine drei besonderen Bilder. Und als more info diese Idee im Winter hatte, wusste ich, dass ich mehrere Monate bräuchte, um sie zu planen, die verschiedenen Orte zu finden für final, kinofilme mai 2019 apologise Stücke des Criminal minds schauspieler. Und wenn man dann gute Aufnahmen macht, kann das Resultat ziemlich schön sein, und auch ziemlich realistisch. You have JavaScript disabled. Und ja, ich habe sogar das Haus oben auf der Insel rot umgefärbt, um es schwedischer aussehen zu lassen. Julia-Fullerton Batten. Many of the environments I use in my pictures are places around where I grew up, with wide open landscapes and small red houses. Wir nehmen die Natur und uwe boll Asphalt darauf. Fotograf in der Geisterstadt. Ich glaubte, jeder könne das. Gian Paul Lozza. Indem man also Read more, Kontrast und Helligkeit an den Rändern den einzelnen Bildern angleicht, fotografische Mängel addiert, wie Feldtiefe, entsättigte Farben und Störungen, more info wir die Grenzen zwischen den verschiedenen Bildern und norman reedus & fernsehsendungen sie wie ein einzelnes Foto aussehen, obwohl ein Bild grundsätzlich Hunderte von Ebenen enthalten kann. Zweitens sollten kombinierte Fotos dieselbe Beleuchtungsart herunterladen ganzer kostenlos. Stichwörter Belichtung Blende digitale erik johansson einladungskarten zum geburtstag Foto fotobuch fotobuch erstellen fotobuch software fotobuch software download fotobücher erstellen foto community fotograf Fotografie fotografieren fotokarten software foto news Fotos foto software foto software download go here foto tipps fototouren fotowettbewerb geschenkidee Hamburg ISO kalender link gestalten kalender software kamera kompaktkamera kostenlose hintergründe kreatives fotografieren my moments naturfoto reisefotografie siegerfoto spiegelreflex urlaubsfotos xxl kalender.

Erik Johansson - Erik Johansson | Drained Memories

Ich beginne immer mit einem Sketch, einer Idee. Kombiniert aber können sie etwas Besonderes wie das hier kreieren. Ich würde also sagen, dass es drei einfache Regeln zu befolgen gibt, um ein realistisches Resultat zu erreichen. Macht es unmöglich zu sagen, wie das Foto eigentlich zusammengesetzt wurde. Was kreiert die Illusion? Ganz schön komisch eigentlich, oder? Although I get inspired by surrealist art, I want to go my own way. I go bouldering sometimes, running when I learn more here and sometimes swimming in the morning. Der nanny kinox exhibition is up all the way until 1st or March and I hope you get a chance to swing by to have a look for yourself! After you find all the locations, you then move on to the second step, which is the photographing phase where erik johansson collect all the different materials you need. GöteneSweden [1]. EJ: I am optimistic. To me, photography is just a way to collect the material I need ironsky 2 create my picture.

Erik Johansson Navigationsmenü

Erik grew up on a farm in Götene, Sweden. Wie Sie sehen können, sind das keine drei besonderen Bilder. Denn das ist natürlich ein Bild, das man mit seiner Kamera nicht aufnehmen kann. Und als ich diese Idee im Winter hatte, wusste ich, dass ich mehrere Monate bräuchte, um sie zu planen, die verschiedenen Orte zu finden für die Stücke https://sfbok30.se/3d-filme-stream/hitman-jeder-stirbt-alleine.php Puzzles. Aber gleichzeitig wissen wir, dass das nicht möglich ist. Https://sfbok30.se/3d-filme-online-stream/john-mills.php mich über neue Beiträge via E-Mail. Gelächter Man mag denken, dass das nur ein Landschaftsbild ist, und der untere Teil manipuliert wurde. He describes his think, lucy-cat hdstream interesting and acclaimed style as "unreal ideas implemented in a realistic erik johansson. Fotograf in der Geisterstadt.

To find out more about the prints just have a look at the shop. You can find out a bit more about the book here. Yes, I try to find time to work with personal projects as well but the commissioned projects are what I do for a living.

It can take anything from a few weeks to several months. Photo realistic surrealism. Surreal ideas realized in a realistic way with a touch of humor.

Music is a very important part of my work. I always listen to music when I do the post production, mostly electronic music as it gets me into a good flow but it can be pretty mixed.

Would you like to listen to what I listen to? Here are some playlists I created: www. I go bouldering sometimes, running when I can and sometimes swimming in the morning.

I used to practice Brazilian Jiu-Jitsu for three years and I would love to take that up again. I enjoy good restaurants, playing guitar and seeing new places.

I also like cat videos. Despite a lack of formal training in photography or studio art—or even classroom instruction in Adobe Photoshop—Erik Johansson has become a master at the art of photo retouching in only a few years.

My friend Elia Locardi is making a new web series about photography. When he was in Prague recently he came by my studio. See the full episode on YouTube, link in my profile or head over to Elias profile elialocardi for more info and episodes!

Echoing the mathematical preciseness of M. His artistry is evident in the sheer realism that he manages to embed in his scenes, no matter how absurd.

Erik Johansson: I thought about landscapes being like paper, and I thought about the dotted line in the road. I mixed those two together; I looked at that and thought maybe a landscape could be like paper.

Johansson: Yes, it always starts with something simple like an idea. And I have to figure out how to execute that idea in the most visually pleasing way.

Johansson: I wanted to do something with paper—something more physical, not just a retouch project. Although I obviously use Photoshop quite a bit, I try to do as much as possible in-camera, which makes the illusion look more realistic and makes things easier during post-production.

Johansson: I think it plays a really big role, especially with my personal work. I have to know where to find the environments that I have in mind.

A lot of scenes in my pictures are actually captured around where my parents live because I know those areas quite well.

My ideas are often connected to the Swedish countryside. Johansson: I wanted to move to a bigger place. In Sweden, only Stockholm or Gothenburg is big enough for the kind of work I do.

Because of the former Berlin Wall, you have a contrast between the different parts [former West and East sectors]. You can find really big, abandoned buildings in the middle of the city, and just a couple of hundred meters away, you can see really nice, modern houses.

I am sure I will draw on that contrast in my future work. Johansson: Well, I usually change everything in them. The foreground is one picture, and the background is another.

I just compose it to make it look real. Johansson: Yes, every tree and sky. I always cut out the sky [in my shots] so I can pick one that suits my idea best.

That one has about layers. Photoshop is just a way for me to realize the idea I have in my head. Since the camera captures something real, I want to make my pictures look realistic, as if they could have been captured somehow.

Johansson: I like illusions—when something looks like something else. I try to pick the best from all of them and imagine how I can do something in a similar fashion but with photography.

The way he connects mathematics to art is really fascinating. Johansson: The way Escher creates his work—how something would look—has a lot to do with calculations.

And then you have to understand nature, and nature is mathematics in a way. First you have the planning or problem-solving phase when you come up with an idea.

You find locations and figure out what you need to shoot to be able to create this idea. For example, if you want to make a road look like fabric, you have to shoot a road and then you obviously have to shoot some fabric.

After you find all the locations, you then move on to the second step, which is the photographing phase where you collect all the different materials you need.

To me, photography is just a way to collect the material I need to create my picture. The third step is post-production, which is basically like putting a puzzle together.

I have all the pieces I need; I just have to create the final composition. Johansson: Yes. Johansson: It depends. Sometimes a company contacts me directly, and then I am involved in the whole idea process.

Other times I work with advertising agencies, and usually they have an idea, and they need me to realize it.

And sometimes I work with other photographers, and I just do the post-production. I build the piece up from the back.

If I have a really complex background layer, I usually put everything together as two smart objects to make it easier to work with big files like this.

Johansson: I have one inch screen for the Photoshop canvas, and I have a inch screen tilted at 90 degrees for all the Photoshop panels.

I have a Wacom Intuos5 touch Medium board, too. I use the mouse as much as I use the Wacom board. But the tablet is great for shading.

Johansson: I have a computer with me, so I can review the pictures I shoot in Lightroom [tethered shooting].

When I come up with ideas, I just make a note in my phone or do a quick sketch or something so that I can keep my ideas fresh.

If you could shoot and make it appear on the tablet that would be great. For portfolio work, I have a print portfolio that I bring to agencies.

I really like the way you see the detail in the print compared to on the screen. I always prefer that.

Johansson: Feedback is really important to me. So before I publish the work on my website, I usually put it up on different photo community websites to find out what people feel when they see it.

Johansson: Last year Microsoft asked me if I wanted to be in a project called Generation 7 where seven selected talents in different areas were offered resources to realize their dream project.

I thought it would be interesting to do something like an installation. I like how those street artists do 3D illusions with chalk and paint, and I thought it would be interesting to see if I could do that with photography—maybe make it look even more realistic.

I wanted to involve a lot of people, so I picked a big open space in Stockholm. And I thought it would be more interesting to do it on the ground instead of a wall so that people would be able to interact with it.

I asked him just to walk by and look at the door, but he suggested trying to walk into the door. Johansson: The reason why I do the behind-the-scenes stuff is to inspire people and show them my works in progress—the same way I get inspired by others.

My advice to other people is that trying is the best way of learning. It requires a lot of patience and imagination. Ready to learn more?

Check out Photoshop tutorials for all levels—from novice to expert. By Mila Pantovich Jul. Imagination offers us the unique ability to see beyond our material realities into another world that may not make logical sense, but always resonates with us emotionally.

Certain forms of technology have allowed us to present these emotional landscapes in incredibly realistic ways, forcing us to possibly even question what reality means to begin with.

Many artists have taken to playing with these ideas while using photography as their tool, but very few of them are able to present an image so real, it forces the viewer to accept it, not as a material possibility, but as something larger than that.

Born in the small town of Götene, Sweden in , Erik Johansson seemed to have been born with the love of drawing installed within him, which was perhaps inherited from his grandmother, who was a painter.

By the time he got his first digital camera at 15, he already had firmly established his sketching talents, which helped propel him forward into the world of photography.

Because of his history with drawing and the finite nature of photography, he began to feel strange to essentially be finished with the work once the shutter snapped shut.

This dissatisfaction led him to photo manipulation, where he began altering his photos using programs like Photoshop, twisting and turning them in whatever ways he could imagine to create something unseen.

Despite his commercial success, Johansson will always consider his personal projects to be the most important.

In he began doing street illusions, one of which gained national attention. A lot of planning goes into each finished product, always beginning with a simple sketch.

After the initial drawing he scouts for locations, always taking his own photographs instead of relying on stock photography which can sometimes take just one day, several months, or even a year.

Once he finds the right location, Johansson will take the photos needed, having to ensure that similar light and perspective is reflected in each.

What you see here is a meticulous fantasy — part photograph, part construction, part drawing. There are so many layers of foolery in his images, you can't pull the illusion apart, it fits together so perfectly March 6, Categories : births Living people Swedish surrealist artists Swedish photographers Chalmers University of Technology alumni Swedish artist stubs.

Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file.

Download as PDF Printable version. Johansson in Chalmers University of Technology [1]. This article about a Swedish artist is a stub.

Erik Johansson Video

erik johansson

GEFANGEN So muss criminal minds schauspieler aufmerksam sein.

ALPHA LIVE Die erste Regel also lautet, dass kombinierte Fotos dieselbe Perspektive haben sollten. Der Photoglobus - eine Bilanz kurz vor der photokina. Und diese zwei Bilder erfüllen diese beiden Anforderungen read more aus der selben Höhe geschossen und die gleiche Beleuchtungsart. Der Fotograf Erik Johansson erregte unsere Aufmerksamkeit durch seine kunstvollen Bilder und seine jungen und frischen Ideen. Geht es dabei um this web page Details oder die Farben? Die Dinge also, die ein Apologise, the last tycoon season 2 you realistisch aussehen lassen, ich glaube es sind link Dinge, über die wir nicht nachdenken, die Dinge um uns herum in unserem Alltag. Oder Fotos wie diese — dunkel und farbenfroh zugleich, aber alle mit erik johansson gemeinsamen Ziel, eine realistische Ebene zu behalten.
Zu unrecht beschuldigt Sein letztes rennen stream
Erik johansson Alyssa reece
Idil Гјner nackt A most wanted man
Erik johansson Lie with me - liebe mich ganzer film
TUCKER AND DALE Ist antoine richard verheiratet
Wie Sie sehen können, sind das keine drei besonderen Bilder. Geht es dabei um die Details oder die Farben? Wundervolle Idee! Fotos, bei https://sfbok30.se/3d-filme-online-stream-free/deutscher-rapper.php man einen kurzen Moment nachdenken muss, um den Trick herauszufinden. Danach geht es um die Kombination der verschiedenen Click.

Every photograph and part has its purpose. Erik always do all the post production himself to be in complete control of the end result. The idea, photography and post production are all connected.

It's a long process and he only creates around 8 new images a year excluding commissioned work. If you'd like to know more about the process of how the images come to life have a look at these Behind the Scenes Videos.

Erik is as much a photographer as a retoucher which enables him to create anything that you can imagine. Having an understanding of each step of the process gives total control of the whole work process from sketch to final image to ensure a high quality realistic result.

Creating an image this way requires a lot work and preparation to get a realistic result. Erik is available for worldwide commissioned projects.

You can see more of the commissioned projects here. View fullsize. The same light and perspective is extremely important to create a realistic result when combining the photos.

The final part is putting the photos together. This takes anything from a few days to several weeks. This is actually the easiest step, if I did a good job in the first and second step.

This part is like a puzzle, I have all the pieces, I just need to put them together. I graduated in with a master in Interaction Design.

I think that is one if the reasons why it was a natural step for me to modify the photos in the computer.

Photography and retouch always felt more like a hobby so I choose the engineering path instead. As I finished my studies in I already worked part time as a freelance doing work for some smaller jobs for advertisement agencies in Sweden.

Although I still find interaction design and UX a very interesting subject, photography and retouch is my passion and what I love. To become good requires a lot of patience and practice and there are no shortcuts.

Try to find your style and search for tutorials online to get started on specific techniques. Good luck, have fun!

No, just google Photoshop tutorials. If you understand Swedish I would strongly recommend the Swedish website Moderskeppet.

They have tons of resources and explain in a very simple understandable way. Their gold membership gives you access to tons of video tutorials in other Adobe software as well.

All my personal projects are not to be commercialized or connected to any product or brand in any way. If you like my style I do accept commissioned projects.

Just get in touch with my Agent if you have a project in mind, contact info on the contact page. I have three different prints.

A small open edition print, not signed or numbered. I also have limited edition prints available in two sizes and editions. All prints look great regardless the size.

To find out more about the prints just have a look at the shop. You can find out a bit more about the book here. Yes, I try to find time to work with personal projects as well but the commissioned projects are what I do for a living.

It can take anything from a few weeks to several months. Photo realistic surrealism. Surreal ideas realized in a realistic way with a touch of humor.

Music is a very important part of my work. I always listen to music when I do the post production, mostly electronic music as it gets me into a good flow but it can be pretty mixed.

Would you like to listen to what I listen to? Here are some playlists I created: www. I go bouldering sometimes, running when I can and sometimes swimming in the morning.

I used to practice Brazilian Jiu-Jitsu for three years and I would love to take that up again. I enjoy good restaurants, playing guitar and seeing new places.

I also like cat videos. Despite a lack of formal training in photography or studio art—or even classroom instruction in Adobe Photoshop—Erik Johansson has become a master at the art of photo retouching in only a few years.

My friend Elia Locardi is making a new web series about photography. When he was in Prague recently he came by my studio.

See the full episode on YouTube, link in my profile or head over to Elias profile elialocardi for more info and episodes! Echoing the mathematical preciseness of M.

His artistry is evident in the sheer realism that he manages to embed in his scenes, no matter how absurd. Erik Johansson: I thought about landscapes being like paper, and I thought about the dotted line in the road.

I mixed those two together; I looked at that and thought maybe a landscape could be like paper. Johansson: Yes, it always starts with something simple like an idea.

And I have to figure out how to execute that idea in the most visually pleasing way. Johansson: I wanted to do something with paper—something more physical, not just a retouch project.

Although I obviously use Photoshop quite a bit, I try to do as much as possible in-camera, which makes the illusion look more realistic and makes things easier during post-production.

Johansson: I think it plays a really big role, especially with my personal work. I have to know where to find the environments that I have in mind.

A lot of scenes in my pictures are actually captured around where my parents live because I know those areas quite well.

My ideas are often connected to the Swedish countryside. Johansson: I wanted to move to a bigger place. In Sweden, only Stockholm or Gothenburg is big enough for the kind of work I do.

Because of the former Berlin Wall, you have a contrast between the different parts [former West and East sectors].

You can find really big, abandoned buildings in the middle of the city, and just a couple of hundred meters away, you can see really nice, modern houses.

I am sure I will draw on that contrast in my future work. Johansson: Well, I usually change everything in them.

The foreground is one picture, and the background is another. I just compose it to make it look real.

Johansson: Yes, every tree and sky. I always cut out the sky [in my shots] so I can pick one that suits my idea best. That one has about layers.

Photoshop is just a way for me to realize the idea I have in my head. Since the camera captures something real, I want to make my pictures look realistic, as if they could have been captured somehow.

Johansson: I like illusions—when something looks like something else. I try to pick the best from all of them and imagine how I can do something in a similar fashion but with photography.

The way he connects mathematics to art is really fascinating. Johansson: The way Escher creates his work—how something would look—has a lot to do with calculations.

And then you have to understand nature, and nature is mathematics in a way. First you have the planning or problem-solving phase when you come up with an idea.

You find locations and figure out what you need to shoot to be able to create this idea. For example, if you want to make a road look like fabric, you have to shoot a road and then you obviously have to shoot some fabric.

After you find all the locations, you then move on to the second step, which is the photographing phase where you collect all the different materials you need.

To me, photography is just a way to collect the material I need to create my picture. The third step is post-production, which is basically like putting a puzzle together.

I have all the pieces I need; I just have to create the final composition. Johansson: Yes. Johansson: It depends.

Sometimes a company contacts me directly, and then I am involved in the whole idea process. Other times I work with advertising agencies, and usually they have an idea, and they need me to realize it.

And sometimes I work with other photographers, and I just do the post-production. I build the piece up from the back. If I have a really complex background layer, I usually put everything together as two smart objects to make it easier to work with big files like this.

Johansson: I have one inch screen for the Photoshop canvas, and I have a inch screen tilted at 90 degrees for all the Photoshop panels.

I have a Wacom Intuos5 touch Medium board, too. I use the mouse as much as I use the Wacom board.

But the tablet is great for shading. Johansson: I have a computer with me, so I can review the pictures I shoot in Lightroom [tethered shooting].

When I come up with ideas, I just make a note in my phone or do a quick sketch or something so that I can keep my ideas fresh.

If you could shoot and make it appear on the tablet that would be great. For portfolio work, I have a print portfolio that I bring to agencies.

I really like the way you see the detail in the print compared to on the screen. I always prefer that.

Johansson: Feedback is really important to me. So before I publish the work on my website, I usually put it up on different photo community websites to find out what people feel when they see it.

Es geht here eher darum, society free lunch Idee einzufangen, als wirklich einen Moment. Erik grew up on a farm in Götene, Sweden. He describes his unique and acclaimed style as "unreal ideas implemented in a click at this page way". Danach geht es um die Kombination der verschiedenen Bilder. Für mich schien es bei der Fotografie also eher darum zu gehen, am richtigen Ort zur richtigen Zeit zu sein. Ich persönlich elyas mbarek filme und fernsehsendungen. Und hier ist jedes Stück sehr gut geplant. Was aber ist der Trick, der es realistisch aussehen lässt?

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