Westside Story Inhaltsangabe & Details
In New York gibt es zwei große Gangs, die amerikanischen `Jets' und die `Sharks', die aus Puerto Rico zugewandert sind. Die Gangs liefern sich erbitterte Schlachten auf den Straßen der West Side. Das will die Polizei verhindern. Lieutenant Schrank. West Side Story ist ein US-amerikanisches Musical. Die Musik stammt von Leonard Bernstein, die Gesangstexte von Stephen Sondheim und das Buch von. Ab September West Side Story. nach einer Idee von Jerome Robbins. Buch von Arthur Laurents Musik von Leonard Bernstein Gesangstexte von. Das provokante Fingerschnippen der Straßengangs, das Aufheulen der Polizeisirenen, die fliegenden Röcke der Puerto Ricanerinnen über den Dächern New. Als Abbild der Geschichte um die zwei verzweifelten Geliebten Romeo und Julia, verdeutlicht Leonard Bernsteins Musical West Side Story die Zeitlosigkeit.
Das provokante Fingerschnippen der Straßengangs, das Aufheulen der Polizeisirenen, die fliegenden Röcke der Puerto Ricanerinnen über den Dächern New. Als Abbild der Geschichte um die zwei verzweifelten Geliebten Romeo und Julia, verdeutlicht Leonard Bernsteins Musical West Side Story die Zeitlosigkeit. Gepostet: vor 14 Stunden.
Westside Story VideoThe Sound Of Music
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|Westside story||Https://sfbok30.se/3d-filme-stream/1993-wincent-weiss.php Tony oder irgendein anderes Mitglied der beiden Gangs eingreifen kann, wird Riff von Bernardo erstochen. Ansichten Lesen Quelltext anzeigen Versionsgeschichte. Juni Di. Kritik schreiben. Es war ein Geben und Nehmen — ohne Pause. Staatsphilharmonie Nürnberg. Melde dich an, um here Kommentar zu schreiben.|
The two contacted Robbins, who was enthusiastic about a musical with a Latin beat. He arrived in Hollywood to choreograph the dance sequences for The King and I , and he and Laurents began developing the musical while working on their respective projects, keeping in touch with Bernstein, who had returned to New York.
When the producer of The Painted Veil replaced Gardner with Eleanor Parker and asked Laurents to revise his script with her in mind, he backed out of the film, freeing him to devote all his time to the stage musical.
Bernstein had decided he needed to concentrate solely on the music, and he and Robbins had invited Betty Comden and Adolph Green to write the lyrics, but the team opted to work on Peter Pan instead.
Laurents asked Sondheim if he would be interested in tackling the task. Initially he resisted, because he was determined to write the full score for his next project Saturday Night had been aborted.
But Oscar Hammerstein convinced him that he would benefit from the experience, and he accepted. The original book Laurents wrote closely adhered to Romeo and Juliet , but the characters based on Rosaline and the parents of the doomed lovers were eliminated early on.
Later the scenes related to Juliet's faking her death and committing suicide also were deleted. Language posed a problem; four-letter curse words were uncommon in the theater at the time, and slang expressions were avoided for fear they would be dated by the time the production opened.
Laurents ultimately invented what sounded like real street talk but actually was not: "cut the frabba-jabba", for example. With the help of Oscar Hammerstein, Laurents convinced Bernstein and Sondheim to move "One Hand, One Heart", which he considered too pristine for the balcony scene, to the scene set in the bridal shop, and as a result "Tonight" was written to replace it.
Laurents felt that the building tension needed to be alleviated in order to increase the impact of the play's tragic outcome, so comic relief in the form of Officer Krupke was added to the second act.
He was outvoted on other issues: he felt the lyrics to " America " and " I Feel Pretty " were too witty for the characters singing them, but they stayed in the score and proved to be audience favorites.
Another song, "Kid Stuff", was added and quickly removed during the Washington, D. Bernstein composed West Side Story and Candide concurrently, which led to some switches of material between the two works.
Just as Tony and Maria, our Romeo and Juliet, set themselves apart from the other kids by their love, so we have tried to set them even further apart by their language, their songs, their movement.
Wherever possible in the show, we have tried to heighten emotion or to articulate inarticulate adolescence through music, song or dance.
The show was nearly complete in the fall of , but almost everyone on the creative team needed to fulfill other commitments first.
Bernstein was despondent, but Sondheim convinced his friend Hal Prince , who was in Boston overseeing the out-of-town tryout of the new George Abbott musical New Girl in Town , to read the script.
He liked it but decided to ask Abbott, his longtime mentor, for his opinion, and Abbott advised him to turn it down. Prince, aware that Abbott was the primary reason New Girl was in trouble, decided to ignore him, and he and his producing partner Robert Griffith flew to New York to hear the score.
Prince began cutting the budget and raising money. Robbins then announced he did not want to choreograph the show, but changed his mind when Prince agreed to an eight-week dance rehearsal period instead of the customary four , since there was to be more dancing in West Side Story than in any previous Broadway show,  and allowed Robbins to hire Peter Gennaro as his assistant.
Getting the work on stage was still not easy. Bernstein said:. Everyone told us that [ West Side Story ] was an impossible project And we were told no one was going to be able to sing augmented fourths , as with "Ma-ri-a" Also, they said the score was too rangy for pop music Besides, who wanted to see a show in which the first-act curtain comes down on two dead bodies lying on the stage?
And then we had the really tough problem of casting it, because the characters had to be able not only to sing but dance and act and be taken for teenagers.
Ultimately, some of the cast were teenagers, some were 21, some were 30 but looked Some were wonderful singers but couldn't dance very well, or vice versa Throughout the rehearsal period, the New York newspapers were filled with articles about gang warfare, keeping the show's plot timely.
Robbins kept the cast members playing the Sharks and the Jets separate in order to discourage them from socializing with each other and reminded everyone of the reality of gang violence by posting news stories on the bulletin board backstage.
He gave the ensemble more freedom than Broadway dancers had previously been given to interpret their roles, and the dancers were thrilled to be treated like actors instead of just choreographed bodies.
There were problems with Oliver Smith 's designs. His painted backdrops were stunning, but the sets were, for the most part, either shabby looking or too stylized.
Prince refused to spend money on new construction, and Smith was obliged to improve what he had as best he could with very little money to do it.
Bernstein magnanimously removed his name as co-author of the lyrics, although Sondheim was uncertain he wanted to receive sole credit for what he considered to be overly florid contributions by Bernstein.
Robbins demanded and received a "Conceived by" credit, and used it to justify his making major decisions regarding changes in the show without consulting the others.
As a result, by opening night on Broadway, none of his collaborators were talking to him. It has been rumored that while Bernstein was off trying to fix the musical Candide , Sondheim wrote some of the music for West Side Story , and that Bernstein's co-lyricist billing mysteriously disappeared from the credits of West Side Story during the tryout, presumably as a trade-off.
Contrary to rumor, Sondheim did not write music for the show; his only contribution came on "Something's Coming", where he developed the main strain of the chorus from music Bernstein wrote for the verse.
They are warned by police officers Krupke and Lt. Schrank to stop fighting on their beat. The police chase the Sharks off, and then the Jets plan how they can assure their continued dominance of the street.
The Jets' leader, Riff, suggests setting up a rumble with the Sharks. He plans to make the challenge to Bernardo, the Sharks' leader, that night at the neighborhood dance.
Riff wants to convince his best friend and former member of the Jets, Tony, to meet the Jets at the dance. Some of the Jets are unsure of his loyalty, but Riff is adamant that Tony is still one of them "Jet Song".
Riff meets Tony while he's working at Doc's Drugstore to persuade him to come. Tony initially refuses, but Riff wins him over. Tony is convinced that something important is round the corner " Something's Coming ".
Maria works in a bridal shop with Anita, the girlfriend of her brother, Bernardo. Maria has just arrived from Puerto Rico for her arranged marriage to Chino, a friend of Bernardo's.
Maria confesses to Anita that she is not in love with Chino. Anita makes Maria a dress to wear to the neighborhood dance. At the dance, after introductions, the teenagers begin to dance; soon a challenge dance is called "Dance at the Gym" , during which Tony and Maria who aren't taking part in the challenge dance see each other across the room and are drawn to each other.
They dance together, forgetting the tension in the room, and fall in love, but Bernardo pulls his sister from Tony and sends her home.
Riff and Bernardo agree to meet for a War Council at Doc's, a drug store which is considered neutral ground, but meanwhile, an infatuated and happy Tony finds Maria's building and serenades her outside her bedroom " Maria ".
She appears on her fire escape, and the two profess their love for one another " Tonight ". The Jets get antsy while waiting for the Sharks inside Doc's Drugstore.
Riff helps them let out their aggression " Cool ". The Sharks arrive to discuss weapons to use in the rumble.
Tony suggests "a fair fight" fists only , which the leaders agree to, despite the other members' protests. Bernardo believes that he will fight Tony, but must settle for fighting Diesel, Riff's second-in-command, instead.
This is followed by a monologue by the ineffective Lt. Schrank trying to find out the location of the rumble. Tony tells Doc about Maria.
Doc is worried for them while Tony is convinced that nothing can go wrong; he is in love. The next day, Maria is in a very happy mood at the bridal shop, as she anticipates seeing Tony again.
However, she learns about the upcoming rumble from Anita and is dismayed. When Tony arrives, Maria asks him to stop the fight altogether, which he agrees to do.
Before he goes, they dream of their wedding " One Hand, One Heart ". The gangs meet under the highway and, as the fight between Bernardo and Diesel begins, Tony arrives and tries to stop it.
Though Bernardo taunts and provokes Tony, ridiculing his attempt to make peace, Tony keeps his composure. When Bernardo pushes Tony, Riff punches him in Tony's defense.
The two draw their switchblades and get in a fight "The Rumble". Tony attempts to intervene, inadvertently leading to Riff being fatally stabbed by Bernardo.
Tony kills Bernardo in a fit of rage, which in turn provokes an all-out fight like the fight in the Prologue. The sound of approaching police sirens is heard, and everyone scatters, except Tony, who stands in shock at what he has done.
The tomboy Anybodys, who stubbornly wishes that she could become a Jet, tells Tony to flee from the scene at the last moment and flees with the knives.
Only the bodies of Riff and Bernardo remain. Blissfully unaware of the gangs' plans for that night, Maria daydreams with her friends, Rosalia, Consuelo , Teresita and Francisca, about seeing Tony " I Feel Pretty ".
Later, as Maria dances on the roof happily because she has seen Tony and believes he went to stop the rumble, Chino brings the news that Tony has killed Bernardo.
Maria flees to her bedroom, praying that Chino is lying. Tony arrives to see Maria and she initially pounds on his chest with rage, but she still loves him.
They plan to run away together. As the walls of Maria's bedroom disappear, they find themselves in a dreamlike world of peace " Somewhere ".
They meet the rest of the gang. To cheer themselves up, they lampoon Officer Krupke, and the other adults who don't understand them " Gee, Officer Krupke ".
Anybodys arrives and tells the Jets she has been spying on the Puerto Ricans; she has discovered that Chino is looking for Tony with a gun.
The gang separates to find Tony. Action has taken charge; he accepts Anybodys into the Jets and includes her in the search.
A grieving Anita arrives at Maria's apartment. As Tony leaves, he tells Maria to meet him at Doc's so they can run away to the country.
In spite of her attempts to conceal it, Anita sees that Tony has been with Maria, and launches an angry tirade against him " A Boy Like That ".
She admits that Chino has a gun and is looking for Tony. Schrank arrives to question Maria about her brother's death, and Anita agrees to go to Doc's to tell Tony to wait.
Unfortunately, the Jets, who have found Tony, have congregated at Doc's, and they taunt Anita with racist slurs and eventually attempt rape.
Doc arrives and stops them. Anita is furious, and in anger spitefully delivers the wrong message, telling the Jets that Chino has shot Maria dead.
Doc relates the news to Tony, who has been dreaming of heading to the countryside to have children with Maria. Feeling there is no longer anything to live for, Tony leaves to find Chino, begging for him to shoot him as well.
Just as Tony sees Maria alive, Chino arrives and shoots Tony. The Jets, Sharks, and adults flock around the lovers. Maria holds Tony in her arms and sings a quiet, brief reprise of "Somewhere" as he dies.
Angry at the death of another friend, the Jets move towards the Sharks but Maria takes Chino's gun and tells everyone that "all of [them]" killed Tony and the others because of their hate for each other, and, "Now I can kill too, because now I have hate!
However, she is unable to bring herself to fire the gun and drops it, crying in grief. Gradually, all the members of both gangs assemble on either side of Tony's body, showing that the feud is over.
The Jets and Sharks form a procession, and together carry Tony away, with Maria the last one in the procession.
After tryouts in Washington, D. Griffith and Harold Prince , with lighting designed by Jean Rosenthal. A production at the Manchester Opera House transferred to London, where it opened at Her Majesty's Theatre in the West End on December 12, , and ran until June with a total of 1, performances.
Robbins directed and choreographed, and it was co-choreographed by Peter Gennaro , with scenery by Oliver Smith. It closed September 28, The Broadway production was recreated by Tom Abbott.
Maxine Gordon was Anybodys. The production subsequently toured the UK for a second time. A Broadway revival opened at the Minskoff Theatre on February 14, and closed on November 30, , after performances.
It was directed and choreographed by Robbins, with the book scenes co-directed by Gerald Freedman ; produced by Gladys Nederlander and Tom Abbott and Lee Becker Theodore assisted the choreography reproduction.
In , Arthur Laurents stated, "I've come up with a way of doing [ West Side Story ] that will make it absolutely contemporary without changing a word or a note.
The Broadway revival began previews at the Palace Theatre on February 23, , and opened on March 19, Laurents stated, "The musical theatre and cultural conventions of made it next to impossible for the characters to have authenticity.
Every member of both gangs was always a potential killer even then. Now they actually will be. Only Tony and Maria try to live in a different world".
Schrank and Yesenia Ayala as Anita, who is also set to appear in the upcoming film remake. Scenic and lighting design are by Jan Versweyveld , with costumes by An d'Huys.
It was staged by Gerald Freedman with choreography re-mounted by Tom Abbott. Direction and choreography were reproduced by Lee Theodore, and scenery was by Oliver Smith.
A national tour, directed by Alan Johnson, was produced in Subsequent Australian tours have been staged in , , and Tennent production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki.
The production continued for over a year. It was produced by the Moon Troupe in and again in by the Star Troupe. It was staged at the outdoor plaza of Hong Kong Cultural Centre.
The Novosibirsk Globus Theatre staged the musical in Russia in under the leadership of conductor Keith Clark , a former pupil of Bernstein's, who also conducted the Moscow production.
The creators' innovations in dance, music and theatrical style drew enthusiastic reactions from the critics. The radioactive fallout from West Side Story must still be descending on Broadway this morning.
Director, choreographer, and idea-man Jerome Robbins has put together, and then blasted apart, the most savage, restless, electrifying dance patterns we've been exposed to in a dozen seasons When a gang leader advises his cohorts to play it "Cool", the intolerable tension between an effort at control and the instinctive drives of these potential killers is stingingly graphic.
When the knives come out, and bodies begin to fly wildly through space under buttermilk clouds, the sheer visual excitement is breathtaking Bernstein has permitted himself a few moments of graceful, lingering melody: in a yearning "Maria", in the hushed falling line of "Tonight", in the wistful declaration of "I Have a Love".
But for the most part he has served the needs of the onstage threshing machine When hero Larry Kert is stomping out the visionary insistence of "Something's Coming" both music and tumultuous story are given their due.
Otherwise it's the danced narrative that takes urgent precedence The other reviews generally joined in speculation about how the new work would influence the course of musical theater.
This is a bold new kind of musical theatre — a juke-box Manhattan opera. It is, to me, extraordinarily exciting In [the score], there is the drive, the bounce, the restlessness and the sweetness of our town.
It takes up the American musical idiom where it was left when George Gershwin died. It is fascinatingly tricky and melodically beguiling, and it marks the progression of an admirable composer Time magazine found the dance and gang warfare more compelling than the love story and noted that the show's "putting choreography foremost, may prove a milestone in musical-drama history".
Robbins' energetic choreography and Bernstein's grand score accentuated the satiric, hard-edged lyrics of Sondheim, and Laurents' capture of the angry voice of urban youth.
The play was criticized for glamorizing gangs, and its portrayal of Puerto Ricans and lack of authentic Latin casting were weaknesses.
The musical also made points in its description of troubled youth and the devastating effects of poverty and racism.
Juvenile delinquency is seen as an ailment of society: "No one wants a fella with a social disease!
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An adaptation of the musical, West Side Story explores forbidden love and the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds.
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Film che aspetto con impazienza! Movies I want to see. List of Movies Shot on Film. Edit Cast Cast overview, first billed only: Ansel Elgort Tony Rachel Zegler Maria Ariana DeBose Anita David Alvarez Bernardo Rita Moreno Valentina Mike Faist Riff Curtiss Cook Abe Brian d'Arcy James Officer Krupke Corey Stoll Lieutenant Schrank Ezra Menas Anybodys Ben Cook Mouthpiece Sean Harrison Jones Action Patrick Higgins Baby John Paloma Garcia LeeDie Rollen sollen entsprechend der Ethnien der Charaktere besetzt werden. Dieser Kampf kann erst mit dem Eintreffen der Polizei gestoppt werden. Wo kann read article diesen Film schauen? Neu ab 9. Sie aus einem Guss zu präsentieren link eine schwierige Aufgabe. Das änderte sich mit der „West Side Story“: Leonard Bernstein brachte erstmals ein gesellschaftliches Problem auf die Bühne – eher ein Drama als leichte. Gepostet: vor 14 Stunden. Sie und die unvergessliche Musik Leonard Bernsteins mit Songs wie Maria, Tonight, Somewhere, America und I Feel Pretty machen WEST SIDE STORY zum. West Side Story - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | sfbok30.se Melissa King inszeniert das Musical „West Side Story“ von Leonard Bernstein. Alle Termine, weitere Informationen und Tickets finden Sie hier!