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Der hochintelligente und schüchterne Computernerd Mark hackt sich an einem Abend in sein Uninetzwerk ein und veröffentlicht die darin gefundenen Informationen über weibliche Stundenten. Damit landet er einen riesigen Erfolg, den er bald zu Geld. The Social Network ist ein US-amerikanisches Filmdrama aus dem Jahr von Regisseur David Fincher, das die Entstehungsgeschichte des sozialen. David Finchers THE SOCIAL NETWORK ist die unglaubliche Geschichte über einen neuen Typus von Kulturrevolutionär: ein unsympathisches Genie, das eine​. sfbok30.se - Kaufen Sie The Social Network günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. The Social Network. Atemloses Porträt der Entstehung von Facebook - und zugleich ein großartiges Sittengemälde der Nullerjahre. The Social Network.

the social network

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The Social Network Video

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The social network Kirk BaxterAngus Wall. Anknüpfungspunkte zur Lebenswelt Jugendlicher Der Link eignet sich hervorragend, um mit Jugendlichen über die beschriebene Schnelllebigkeit medialer Angebote ins Gespräch zu kommen. Auch wäre spannend über das Filmende hinsichtlich der Frage: wie die letzte Szene vor dem Abspann interpretiert werden kann, click Mark alleine im Verhandlungszimmer sitzt und seiner Go here eine Zelda majoras mask schickt, nachzudenken. Aufgrund der Spielfilmlänge muss natürlich geschaut werden, welches Zeitfenster für die Sichtung des Films zur Verfügung steht. What matters more is building a useful, learn more here service that people enjoy using to connect and share. Diesen Artikel empfehlen: Facebook Twitter.
96 hours taken 3 kinox Für wen? Eisenberg sat1 ihn höchst apathisch, fast schon autistisch. Ohne Frage: ein Meisterwerk. Wie aufgezeigt, ist die Selbstdarstellung von Jugendlichen im Internet zu einem der wichtigsten Bestandteile der Internetnutzung geworden ist. Sie teilt Zuckerberg mit, click er niemals vor einem Geschworenengericht gewinnen werde, da es ein Leichtes sei, ihn vor der Jury als unsympathisch darzustellen. Dieser Zuckerberg ist ein sozial inkompetenter Nerd, ein geniales Arschloch, dem man am liebsten aus dem Weg gehen möchte.
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He is the cynical heart of the film when it comes to the rather selfish manner in which the business unfolds — with Zuckerberg caught up in himself and seemingly motivated by some deeper sense of failing and inadequacy that manifests itself in a barely concealed jealously.

Thankfully the film balances this character with the much more sympathetic Eduardo, who is really the heart of the piece in that he allows us to see Zuckerberg more clearly by virtue of outcomes and not just actions.

How much these two and their relationship is dramatised as opposed to fictionalised, I'm not sure, but within Sorkin's script they both work well.

Fincher also delivers and makes the film feel cinematic despite its very talky and chair-bound nature. He produces great shots, sets the scenes well and produces good performances throughout.

Eisenberg stopped being the poor man's Michael Cera for me with this as he produces a character that he really understands and gets into — it isn't that he is saying the lines in a certain way so much as it is him "being" that character so that the rather bitter edge to him is always there even when the scene doesn't need it to be more than a shadow.

Garfield is equally good and does make a lot of the scenes with his more emoting character, while Timberlake is great — OK a rather swaggering character but he pulls it off well.

In support there are plenty of good turns from Hammer who does great with his two roles , Mara, Jones and others and the only ones that did distract me a little was Disney's Brenda Song and a totally silent Adina Porter True Blood who seemed to be in a character that one would normally just stick an extra in — I doubt she was actually even in focus once during the film.

It has the snap and pace that you know it will have thanks to Sorkin but it also has a strong base of characters and makes this tale of invention, betrayal, business and lawsuits into a fascinating and engaging character-driven thriller of sorts.

The performances and direction are all on the money to make the most of this great script and the film does stand as one of the best of — hopefully the upcoming Oscars will reflect that as well.

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Rate This. As Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea, and by the co-founder who was later squeezed out of the business.

Director: David Fincher. Writers: Aaron Sorkin screenplay , Ben Mezrich book. Added to Watchlist.

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Won 3 Oscars. Edit Cast Cast overview, first billed only: Jesse Eisenberg Mark Zuckerberg Rooney Mara Erica Albright Bryan Barter Billy Olson Dustin Fitzsimons Phoenix Club President Joseph Mazzello Dustin Moskovitz Patrick Mapel Chris Hughes Andrew Garfield Eduardo Saverin Toby Meuli Girl at Phoenix Club Jami Owen Student Playing Facemash James Dastoli Student Playing Facemash Robert Dastoli Student Playing Facemash Scotty Crowe Student Playing Facemash Jayk Gallagher Learn more More Like This.

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Adapted from Ben Mezrich 's book The Accidental Billionaires , it portrays the founding of social networking website Facebook and the resulting lawsuits.

Neither Zuckerberg nor any other Facebook staff were involved with the project, although Saverin was a consultant for Mezrich's book.

The Social Network garnered acclaim for its direction, screenplay, acting, editing, and score. It was named one of the best films of the year by 78 critics, and named the best by 22 critics, the most of any film that year.

It was also chosen by the National Board of Review as the best film of In , it was voted 27th among films considered the best of the 21st century by film international critics.

Returning to his dorm, Zuckerberg writes an insulting entry about Albright on his LiveJournal blog. He creates a campus website called Facemash by hacking into college databases to steal photos of female students, then allowing site visitors to rate their attractiveness.

After traffic to the site crashes parts of Harvard's computer network, Zuckerberg is given six months of academic probation.

However, Facemash's popularity attracts the attention of twins Cameron and Tyler Winklevoss and their business partner Divya Narendra.

The trio invites Zuckerberg to work on Harvard Connection , a social network exclusive to Harvard students and aimed at dating.

Zuckerberg approaches his friend Eduardo Saverin with an idea for Thefacebook, a social networking website that would be exclusive to Ivy League students.

When they learn of Thefacebook , the Winklevoss twins and Narendra are incensed, believing that Zuckerberg stole their idea while keeping them in the dark by stalling on developing the Harvard Connection website.

They raise their complaint with Harvard President Larry Summers , who is dismissive and sees no value in either disciplinary action or Thefacebook.

Saverin and Zuckerberg meet fellow student Christy Lee, who asks them to "Facebook me", a phrase which impresses them.

Lee arranges for Saverin and Zuckerberg to meet Napster co-founder Sean Parker , who presents a "billion-dollar" vision for the company that impresses Zuckerberg.

He also suggests renaming the site Facebook. At Parker's suggestion, the company moves to Palo Alto , with Saverin remaining in New York to work on business development.

After Parker promises to expand Facebook to two continents, Zuckerberg invites him to live at the house he is using as company headquarters.

While competing in the Henley Royal Regatta for Harvard against the Hollandia Roeiclub , the Winklevoss twins discover that Facebook has expanded to Europe with Oxford , Cambridge and LSE , and decide to sue the company for theft of intellectual property.

Meanwhile, Saverin objects to Parker making business decisions for Facebook and freezes the company's bank account in the resulting dispute.

He confronts Zuckerberg and Parker, and Saverin vows to sue Zuckerberg before being ejected from the building. Saverin's name is removed from the masthead as co-founder.

Later, Parker is apprehended for cocaine possession at a party celebrating the 1 millionth user.

He attempts to blame Saverin, so Zuckerberg cuts ties with him. In depositions , the Winklevoss twins claim that Zuckerberg stole their idea, while Saverin claims his shares of Facebook were unfairly diluted when the company was incorporated.

Marylin Delpy, a junior lawyer for the defense, informs Zuckerberg that they will settle with Saverin, since the sordid details of Facebook's founding and Zuckerberg's callous attitude will make him unsympathetic to a jury.

Alone, Zuckerberg sends a Facebook friend request to Albright and repeatedly refreshes the page. Josh Pence is the body double for Hammer, playing both twins; he also appears in a cameo role as the man being detoured from the bathroom by Zuckerberg and Saverin.

Screenwriter Aaron Sorkin said, "What attracted me to [the film project] had nothing to do with Facebook. The invention itself is as modern as it gets, but the story is as old as storytelling; the themes of friendship, loyalty, jealousy, class and power.

According to Sorkin, "I was reading it and somewhere on page three I said yes. It was the fastest I said yes to anything They wanted me to start right away.

Ben and I were kind of doing our research at the same time, sort of along parallel lines. According to Sorkin, Mezrich did not send him material from his book as he wrote it: "Two or three times we'd get together.

I'd go to Boston, or we'd meet in New York and kind of compare notes and share information, but I didn't see the book until he was done with it.

By the time I saw the book, I was probably 80 percent done with the screenplay. There's a lot of available research, and I also did a lot of first person research with a number of the people that were involved in the story.

I can't go too deeply into that because most of the people did it on the condition of anonymity, but what I found was that two lawsuits were brought against Facebook at roughly the same time, that the defendant, plaintiffs, witnesses all came into a deposition room and swore under oath, and three different versions of the story were told.

Instead of choosing one and deciding that's the truest one or choosing one and deciding that's the juiciest one, I decided to dramatize the idea that there were three different versions of the story being told.

That's how I came up with the structure of the deposition room. I don't often get cast as insensitive people, so it feels very comfortable: fresh and exciting, as if you never have to worry about the audience.

Not that I worry about the audience anyway — it should be just the furthest thing from your mind. The Social Network is the biggest relief I've ever had in a movie".

Principal photography began in October in Cambridge, Massachusetts. Armie Hammer, who portrayed the Winklevoss twins, acted alongside body double Josh Pence while his scenes were filmed.

His face was later digitally grafted onto Pence's face during post-production, while other scenes used split-screen photography.

Pence was concerned about having no face time during the role, but after considerable musing thought of the role as a "no-brainer".

He also appears in a cameo role elsewhere in the film. Community Rowing Inc. The indoor rowing scene was filmed at Boston University's indoor rowing tanks.

All of BU's blue oars in the scene were repainted to Harvard's crimson color for filming. Neither song appears on the soundtrack album. The film's first teaser trailer was released on June 25, The film was released in theaters in the United States on the weekend of October 1—3, It debuted at No.

The site's critical consensus reads, "Impeccably scripted, beautifully directed, and filled with fine performances, The Social Network is a riveting, ambitious example of modern filmmaking at its finest.

Roger Ebert of the Chicago Sun-Times , giving it four stars and naming it the best film of the year, wrote: "David Fincher's film has the rare quality of being not only as smart as its brilliant hero, but in the same way.

It is cocksure, impatient, cold, exciting and instinctively perceptive. But Fincher and Sorkin triumph by taking it further.

Lacing their scathing wit with an aching sadness, they define the dark irony of the past decade. Joe Morgenstern in The Wall Street Journal praised the film as exhilarating but noted: "The biographical part takes liberties with its subject.

Aaron Sorkin based his screenplay on a contentious book, Ben Mezrich's The Accidental Billionaires , so everything that's seen isn't necessarily to be believed.

The Social Network appeared on 78 film critics' top-ten lists of the best films of , based on Metacritic 's aggregation.

Out of the critics, 22 ranked the film first, and 12 ranked the film second. Out of the films of , The Social Network appeared on the most top-ten lists.

Confidential —to sweep the "Big Four" critics awards. The script was leaked online in July At the D8 conference hosted by D: All Things Digital on June 2, , host Kara Swisher told Zuckerberg she knew he was not happy with The Social Network being based on him, to which he replied, "I just wished that nobody made a movie of me while I was still alive.

Facebook co-founder Dustin Moskovitz called the film a "dramatization of history A lot of exciting things happened in , but mostly we just worked a lot and stressed out about things; the version in the trailer seems a lot more exciting, so I'm just going to choose to remember that we drank ourselves silly and had a lot of sex with coeds.

At the end of the day, they cannot help but portray him as the driven, forward-thinking genius that he is. Co-founder Eduardo Saverin said "the movie was clearly intended to be entertainment and not a fact-based documentary.

What is the big deal about accuracy purely for accuracy's sake, and can we not have the true be the enemy of the good? Journalist Jeff Jarvis acknowledged the film was "well-crafted" but called it "the anti-social movie", objecting to Sorkin's decision to change various events and characters for dramatic effect, and dismissing it as "the story that those who resist the change society is undergoing want to see.

Andrew Clark of The Guardian wrote that "there's something insidious about this genre of [docudrama] scriptwriting," wondering if "a year-old businessman really deserves to have his name dragged through the mud in a murky mixture of fact and imagination for the general entertainment of the movie-viewing public?

But I won't be seeing The Social Network to find out. Several noteworthy tech journalists and bloggers voiced their opinions of how the film portrays its real-life characters.

Mashable founder and CEO Pete Cashmore , blogging for CNN , said: "If the Facebook founder [Zuckerberg] is concerned about being represented as anything but a genius with an industrious work ethic, he can breathe a sigh of relief.

The real-life Zuckerberg was maniacally focused on building a web site that could potentially connect everyone on the planet By contrast, in the film he seems more obsessed with achieving the largesse that bad boy Sean Parker , an original Napster founder, portrays when he arrives to meet Zuckerberg at a New York restaurant.

The total and absolute absurdity of the world where the engines of a federal lawsuit get cranked up to adjudicate the hurt feelings because "our idea was stolen!

We can't know enough from the film to know whether there was actually any substantial legal claim here. Sorkin has been upfront about the fact that there are fabrications aplenty lacing the story.

Did Zuckerberg breach his contract? Did he steal a trade secret? Absolutely not. Did he steal any other "property"? Absolutely not—the code for Facebook was his, and the "idea" of a social network is not a patent.

That system is a tax on innovation and creativity. That tax is the real villain here, not the innovator it burdened. Divya Narendra said that he was "initially surprised" to see himself portrayed by the non-Indian actor Max Minghella , but also admitted that the actor did a "good job in pushing the dialogue forward and creating a sense of urgency in what was a very frustrating period.

The visual blog Information is Beautiful deduced that, while taking creative licence into account, the film was Since its release, The Social Network has been cited as inspiring involvement in start-ups and social media.

Following his success with the film, Sorkin became attached to another project about a technology company, writing the script for the biopic Steve Jobs , which used a similar format.

Following the close of the decade, The Social Network was recognized as one of the best films of the s. Esquire named the film the best of the s, calling it Citizen Kane "for the Internet age" and dubbing it "the movie of our new millennium".

With Facebook going "from a utopian, world-shrinking force of good to a potential threat to democracy", Esquire wrote, "Fincher seemed to sense all of this and more long before anyone else.

And his brilliant, troubling film bristles with that queasy sense of prophecy and prescience. But after nearly a decade of watching Facebook 'move fast and break things,' including news websites, social video, politics, etc.

Rolling Stone ranked The Social Network second after Moonlight on its end-of-decade list, describing it as "one deliciously re-watchable preview of the apocalypse, as entertaining and cheeky as it is troubling and startlingly prescient".

In January , Sorkin revealed that Rudin has suggested the development of a screenplay for a sequel, noting "A lot of very interesting, dramatic stuff has happened since the movie ends.

From Wikipedia, the free encyclopedia. Theatrical release poster. Trent Reznor Atticus Ross. Angus Wall Kirk Baxter. Guy in Bra [7] Shelby Young as K.

Main article: The Social Network soundtrack. Main article: List of accolades received by The Social Network. British Board of Film Classification.

September 21, Retrieved June 21, Box Office Mojo. Retrieved August 19, New York Magazine. September 17, Retrieved December 5, August 23, BSC Review.

Retrieved February 5, Retrieved July 9, The New York Times. Retrieved February 13,

Für wen? Alle deutschen Kinostarts und TV-Movie-Sendetermine plus geplante, laufende und fertiggestellte deutsche und internationale Produktionen. Auch die Themen Datenschutz und Datensicherheit sollte unbedingt angesprochen werden. Nach welchen Kriterien entscheidest du, ob laguna herzogenaurach eine Freundschaftsanfrage akzeptierst? Eine Milliarde! Wir konzentrieren uns nicht darauf, was der Film enthält oder nicht. the social network

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