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The first part of a standards document usually defines the format properties for the material, like codec, bitrate, resolution, file type and file size.
Creators of the standard usually do comprehensive testing to find optimal codecs and settings for sound and video to maximize image quality in the selected file size.
When choosing file size, the limiting factor is the size of the media to be used such as MB for CD-R.
The standards are designed such that a certain amount of content will fit on each piece of media, with the best possible quality in terms of size.
Newer video standards moved away from the size constraints and replaced them with a quality based alternative such as the use of CRF. New codecs are usually tested annually to check if any offer any conclusive enhancement in quality or compression time.
In general, quality is not sacrificed for speed, and the standards will usually opt for the highest quality possible, even if this takes much longer.
For example, releases using the Xvid encoder must use the two-pass encoding method, which takes twice as long as a single pass, but achieves much higher quality; similarly, DVD-R releases that must be re-encoded often use 6 or 8 passes to get the best quality.
When choosing the file format, platform compatibility is important. Formats are chosen such that they can be used on any major platform with little hassle.
Some formats such as CloneCD can only be used on Windows computers, and these formats are generally not chosen for use in the standards.
Next, the standard usually talks about how to package the material. Formerly, the size of volumes were limited by the RAR file naming scheme, which produced extensions.
This allowed for volumes in a single release before the naming switched to s00, s01 and so on. For example, a DVD-R image 4.
The new RAR naming format, name. Different compression levels are used for each type of material being distributed.
The reason for this is that some material compresses much better than others. Movies and MP3 files are already compressed with near maximum capacity.
Repacking them would just create larger files and increase decompression time. Ripped movies are still packaged due to the large file size, but compression is disallowed and the RAR format is used only as a container.
Because of this, modern playback software can easily play a release directly from the packaged files,  and even stream it as the release is downloaded if the network is fast enough.
MP3 and music video releases are an exception in that they are not packaged into a single archive like almost all other sections.
These releases have content that is not further compressible without loss of quality, but also have small enough files that they can be transferred reliably without breaking them up.
Since these releases rarely have large numbers of files, leaving them unpackaged is more convenient and allows for easier scripting.
For example, scripts can read ID3 information from MP3s and sort releases based on those contents. Rules for naming files and folders are an important part of the standards.
Correctly named folders make it easier to maintain clean archives and unique filenames allow dupecheck to work properly. There's a defined character set which can be used in naming of the folders.
The selected character set is chosen to minimize problems due to the many platforms a release may encounter during its distribution.
Since FTP servers, operating systems or file systems may not allow special characters in file or directory names, only a small set of characters is allowed.
This can happen automatically by site scripts. The ubiquitous character set includes the upper- and lower-case English alphabet, numerals, and several basic punctuation marks.
It is outlined below:. The Xvid scene does not allow the use of parentheses [ruleset 3] and the BDR scene also doesn't allow the use of an underscore , [ruleset 4] while those are common with music releases.
The best known example is aXXo. Standards documents have often a date defined when the rules take effect. The warez scene typically follows the UTC time standard.
Depending on geographical location and the timing of releases, release sites receive software releases at slightly different times. Release times in any single source may vary by as much as two weeks.
If a group violates a standard, the release will be nuked. This proper usually requires a sample or a detailed explanation to prove the flaw in the material, unless the flaw was clear enough for the release to be nuked at releasing time.
These sanctions are social in nature and can be initiated by anyone within the community. There are several standards to release movies, TV show episodes and other video material to the scene.
Finally DivX, Xvid, H. There are many different formats because the whole thing was always a function of players, codec development and the pursuit of the best possible quality in terms of size.
This results in a series of evolutionary stages and improvements that have been introduced gradually. The only film format that hasn't changed since the early days is the DVDR.
The Scene still holds on to this format but it's becoming less important due to Blu-rays being the main source for retail releases. Scene rules require the releasing group to spread theatrical VCDs in.
Although often the CD size is dictated by the length of the movie or video. One movie typically uses two CDs, although length may force the release to be a 3 or 4 CD release.
The source of these theatrical releases is typically analog, such as CAM , telecine or telesync releases movies recorded by a camera in theatres, often with external audio sources.
VCDs once used for music videos got their own set of standards on October 1, Scene rules require the releasing group to spread SVCDs in.
Content source is sometimes analog, such as Cam , Telecine or telesync releases. Around , the stream of SVCD releases from the scene died out.
Standard definition rips have a resolution that is lower than high-definition video. This group consisted of the leaders of the top 5 DivX releasing groups , topsite operators along with rippers and encoders.
Earlier, on March 16, the database started to carry a DivX section on their website. DivX with SBC was retired.
Higher resolutions are not allowed. More efficient formats such as AVC and AAC have not been adopted yet, but are still being pushed by some release groups.
However, few standalone DVD players support these formats yet, and cross-platform playback is an important consideration. Multiple CD releases aren't necessary anymore, but most release groups keep following the tradition.
The maximum width of a rip is lowered back to px for WS releases, the movie length versus file size rules and many other sections of the ruleset are redefined or extended.
While the rebuttal made some valid points, this one is regarded as being pointless by other sceners. The reason for lowering the resolution is that some cheap Xvid players don't fully support resolutions above px.
Other points made in the rebuttal are too hard to enforce, while still being backed by the releasing groups , or that the TXD is mainly meant for retail sources.
Not all rules can be enforced on non-retail sources. XviD used for standard definition English television releases has been a ruleless world.
Nuking had always been an issue in the TV scene. The introduction of HDTV and the availability of high-definition source material has resulted in the release of video files that exceed the maximum allowed resolution by the TDX rules, which anticipated DVD-Video rips as the ultimate source.
Due to a missing standard these releases follow different rules. On October 17, , the first standard definition ruleset for retail sources was released.
It is mandatory to support file streaming and playing from RARs. CRF must be used. A photograph as proof must be included. On February 20, , more than a year after the appearance of the first draft, [ruleset 19] the SD x TV Release Standards document was released with the goal to bring quality control back to the SD releases.
According to the document x has become the most advanced H video encoder and compared to XviD it is able to provide higher quality and compression at greater SD resolutions.
It also allows better control and transparency over encoding settings. With CRF constant rate factor in the mix it can be ensured that a diverse array of material will get the most appropriate bitrate and not arbitrary fixed file sizes.
On March 29, an updated version of the rules were released. This time 22 groups supported the document.
On April 3, , the SD x TV Release Standard was updated with a new revision [ruleset 21] that aims to update the standards from to standards suitable for and the future.
Adding clarity and patching loopholes to once again allow for consistent and quality releases, which was the aim of this standard back in The video container in this revision was changed from mp4 to mkv which frustrated many users.
The idea was that the x encoder would be more suitable than Xvid. Its aim is to improve the overall quality of sports releases while retaining the compatibility that Xvid provides.
The latest High Definition x Standard is Revision 4. The releases are made available in a Matroska. The file size must be a multiple of MiB.
This is different for Xvid releases. This practice has been accepted by all nukenets, but it was never written down in an addendum to the ruleset.
Also the usage of both Dutch and Flemish audio tracks in one release has become a practice. There is a second ruleset from for x releases that has many similarities to the previous one, but it concentrates on BD5 and BD9 releases.
The mkv file accompanying this kind of release is MB smaller than a similar release following the other ruleset due to the overhead of the Blu-ray image that will be created.
On August 13, , the first version of the standard was released. This standard is only a recommendation for anime from Blu-ray and its purpose is to improve quality over the then current HDX standard.
The document reads that anime was always something special for the video codec experts at Doom9. Without anime there wouldn't be any VirtualDub or many other video related things at all.
The authors of the first document think this is not true because of the compatibility WMV-HD provides.
The changes in the ruleset were made because p was getting more and more popular and the authors felt it was necessary to lower the p bitrate minimum as well to show x lovers WMV is equal quality.
The video size wasn't determined by the length of the movie anymore, but by the minimum bitrate. All nukes based on any other rules are unacceptable.
SMeG was also added in later versions. WMV-HD was from then on purely quality driven by minimum bitrate. This means that during those 30 days no other group can release an episode of the same show and season without being nuked.
A p resolution dupes p but p does not dupe p. Compression is not allowed. This category died out in favor of x MKV releases, a format that is ubiquitous for non pornographic ripped video in The first ever scene TV-x release, The.
According to them, this was the main reason for the crap releases in the HDTV scene. A fixed file size for the resulting. The standards first introduced CRF , instead of 2-pass based encoding.
In April , QCF released the first p x television ruleset shortly after one of their releases got nuked. In , a new standard was introduced for web -sourced files, covering standard and high definition video.
Web based streaming and video on-demand services have increased in popularity. They were initially used for missed broadcasts, but it evolved into a legitimate logo-free exclusive source for original content.
The scene requires DVD-Video releases to fit on a 4. According to the first nuke, the signing groups are crap. Few days later, an addendum was released.
Only a movie only rip was available. The new rip included things such as the white rabbit. The current Music video Council standard is version 6.
The movie file must not be split and an MP4 container must be used. The audio format is AAC. Standards for DVDR, paysite videos and imagesets have been released before.
At the start of the MP3 scene in , there was little organization or standardization. Due to broad support in hardware devices, unauthorized audio material is usually released in MP3 files at VBR quality.
In , new rules put forth that it is recommended to encode all files with Lame 3. In , new rules were introduced.
Every release needs an ID3 v1. Extra material that is available on the source material is allowed to be released. Flash storage mediums are allowed as sources to accommodate some retail releases made exclusively in those formats.
The early MP3 release groups, , were considered " lamers ", bottom feeders. To avoid previously made mistakes in the music scene, a group of elder sceners gathered to decide upon the rules.
A common understanding amongst all was that material from non-physical media can easily be of doubtful origin of source and hence of questionable quality.
The rules consider only physical media as a valid source and they must be followed very strictly. Early , anonymous sceners voiced a concern that nukers lack technical understanding to nuke improperly ripped vinyl sources and showed examples of how the ruleset gets twisted or misinterpreted for minor issues.
In June later that year, 4 years after version 2. In response to version 3 of the rules, a scene notice called the rules invalid because it was not created by leading groups in the section or a council.
Application releases are usually split in two different categories, 0-day and ISO apps. This is the scene for game releases that are changed to minimize the size of the distributed files.
A first ten point document was made by "The Faction" in The grouping that created the rules that should be adhered to, and the rules themselves, were disbanded the following year.
The NSA rules, or "the new rules", outlines the codes of conduct regarding game ripping. Releasing can be done in two fields: games and applications.
It can also be done in two ways: it is possible to release disc images or groups can "rip". In the process of ripping, groups remove things such as introductory movies, multiple texture modes, big sound files and the like.
Some sites allow CCD images too, as defined in the site's rules. DOX is an abbreviation of documents or documentation manuals. This category includes video game add-ons such as No-CDs , cracked updates, keygens , covers, trainers or cheat codes.
This is due to their small size. The console scene survived decades without rules. An example of a ruleset that did have such a limitation would be the deprecated TDX ruleset, but in the subsequent ruleset TDX2k1 this limitation was removed.
The first games released on a certain platform are often not playable because the console isn't cracked at the time. On January 25, , the first game released for the N64 was Super Mario 64 by the group Anthrox and the console division of Swat.
No folders were used. Shortly before the closure of 64dd. The last releases listed were done by the group Carrot in The day before, Utopia released a Dreamcast BootCD that was capable of booting copies and imports on a non-chipped standard consumer model.
A lot of the first Xbox games were released by the group ProjectX on May 3, On December 8, , the first full game for the Xbox was released in the scene by the warez group PI.
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BombazeX Well-Known Member. Very good. Thank for share. Your list made my doggies happy. Now they can download content from multiple sources.
Keep up the good work!! Titan Well-Known Member. Last edited: May 10, Wbb is dead Great list. It helped me so much :D Are hard times for warez scene, when mostly of sites are going down.
I remember the golden times of warezusa, projectw, forumw, cyberwarez and much more sites which are gone now I will update if i find any website not looking to be suitable for the list dont worry wait for my next update.
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