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Deciding that she needs to face her fears, he takes her to a cabin in the woods where she spent a previous summer with the boy. Fancy watching ' Antichrist ' in the comfort of your own home?

Tracking down a streaming service to buy, rent, download, or view the Lars von Trier-directed movie via subscription can be a challenge, so we here at Moviefone want to do the work for you.

We've listed a number of streaming and cable services - including rental, purchase, and subscription choices - along with the availability of 'Antichrist' on each platform.

Now, before we get into the fundamentals of how you can watch 'Antichrist' right now, here are some details about the Lucky Red, Zentropa Entertainments drama flick.

Here's the plot: "While a married couple Willem Dafoe, Charlotte Gainsbourg is having sex, their infant son in a nearby room falls out a window to his death.

Once they are there, she becomes more unhinged and starts perpetrating sexual violence on her husband and herself.

A young wife comes to believe that her offspring is not of this world. After Anna Isabelle Adjani reveals to her husband, Mark Sam Neill , that she is having an affair, she leaves him and their son.

Mark is devastated, and seeks out Heinrich Heinz Bennent , the man w A woman's Monica Bellucci lover Vincent Cassel and her former boyfriend Albert Dupontel take justice into their own hands after she becomes the victim of a rapist.

During the hike, he encounters a doe which shows no fear of him, and has a stillborn fawn hanging halfway out of her. During sessions of psychotherapy, she becomes increasingly grief-stricken and manic, often demanding forceful sex.

The area becomes increasingly sinister to the man, including acorns rapidly pelting the metal roof, awakening with a hand covered in swollen ticks, and finding a self- disemboweling fox that tells him "chaos reigns.

In the dark attic the man finds the woman's thesis studies, which includes violent portraits of witch-hunts, and a scrapbook in which her writing becomes increasingly frantic and illegible.

She reveals that while writing her thesis, she came to believe that all women are inherently evil.

The man is repulsed by this and reproaches her for imbibing the gynocidal beliefs she had originally set out to criticize.

In a frenzied moment, they have violent intercourse at the base of an ominous dead tree, where bodies are intertwined within the exposed roots.

He suspects that Satan is her greatest hidden fear. Upon viewing Nic's autopsy and photos she took of him while the two stayed at Eden, the man becomes aware that she had been systematically putting Nic's shoes on the wrong feet, resulting in a foot deformity.

While in the woodshed, she attacks him, accuses him of planning to leave her, mounts him, and then smashes a large block of wood onto his groin, causing him to lose consciousness.

The woman then masturbates the unconscious man, culminating in an ejaculation of blood. She drills a hole through his leg, bolting a heavy grindstone through the wound, and then tosses the wrench she used under the cabin.

He awakens alone; unable to loosen the bolt, he hides by dragging himself into a deep foxhole at the base of the dead tree. Following the sound of a crow he has found buried alive in the hole, she locates him and attacks and mostly buries him with a shovel.

Night falls; now remorseful, she unburies him but cannot remember where the wrench is. She helps him back to the cabin, where she tells him she does "not yet" want to kill him, adding that "when the three beggars arrive someone must die.

In the cabin she cuts off her clitoris with scissors. The two are then visited by the crow, the deer, and the fox. A hailstorm begins; earlier it had been revealed that women accused of witchcraft had been known to have the power to summon hailstorms.

When he finds the wrench under the cabin's floorboards, she attacks him with scissors, but he manages to unbolt the grindstone.

Finally free, he viciously attacks her and strangles her to death. He then burns her on a funeral pyre.

He limps from the cabin, eating wild berries, as the three diaphanous beggars look on. Reaching the top of a hill, under a brilliant light he sees hundreds of women in antiquated clothes coming towards him, their faces blurred.

Film scholar Magdalena Zolkos interprets Antichrist as an "origins story," citing its unnamed characters and setting—a woods called Eden—as primary reasons.

Zolkos also notes the film as a "story of parental loss and the mourning and despair that follows.

While the film interweaves multiple themes in Zolkos's reading, she suggests that the film is fundamentally a "very personal and revealing film—interwoven with idioms and images that document von Trier's struggle with serious psychiatric disorder, and highly informed by his experience of cognitive behaviour and exposure therapy, shamanism and Jungian psychoanalysis.

Scholar Amy Simmons notes that the film's aesthetic components "transcend categories, and as such, his work cannot be reduced to any one message.

In Antichrist , it is evident in the woman's intense anxiety and depressive withdrawal expressed through the neo-romantic landscape and supernaturalist elements of the forest to which she and her partner have retreated.

Von Trier began writing Antichrist in while being hospitalised for depression. In the documentary the forests were portrayed as a place of great pain and suffering as the different species tried to kill and eat each other.

Von Trier was fascinated by the contrast between this and the view of nature as a romantic and peaceful place.

Von Trier said: "At the same time that we hang it on our walls over the fireplace or whatever, it represents pure Hell.

I took [the horror genre] more as an inspiration, and then this strange story came out of it. The title was the first thing that was written for the film.

Von Trier was furious and decided to delay the shoot so he could rewrite the script. In , von Trier announced that he was suffering from depression, and that it was possible that he never would be able to make another film.

But right now I don't know," he told the Danish newspaper Politiken. The post-depression version of the script was to some extent written as an exercise for von Trier, to see if he had recovered enough to be able to work again.

Von Trier has also made references to August Strindberg and his Inferno Crisis in the s, comparing it to his own writing under difficult mental circumstances: "was Antichrist my Inferno Crisis?

Also credited are researchers dedicated to fields including "misogyny", "anxiety", "horror films" and "theology. Production was led by von Trier's Copenhagen-based company Zentropa.

Plaster casts were made of Willem Dafoe's leg and the female "porno double's" sexual organ. A plastic baby with authentic weight was made for the opening sequence.

Pictures found using Google Image Search had to serve as models for the stillborn deer, and a nylon stocking was used as caul.

The vulva prop was constructed with its inner parts detachable for easy preparation if several takes would be needed. The fox, for example, was taught to open its mouth on a given command to simulate speaking movements.

To get into the right mood before filming started, both Dafoe and Gainsbourg were shown Andrei Tarkovsky 's The Mirror from Willem Dafoe , who had previously worked with Lars von Trier in Manderlay , was cast as "He" after contacting von Trier and asking what he was working on at the moment.

He received the script for Antichrist , although he was told that von Trier's wife was skeptical about asking a renowned actor like Dafoe to do such an extreme role.

Dafoe accepted the part, later explaining its appeal to him: "I think the dark stuff, the unspoken stuff is more potent for an actor.

It's the stuff we don't talk about, so if you have the opportunity to apply yourself to that stuff in a playful, creative way, yes I'm attracted to it.

In casting the role of "She", actress Eva Green had been initially approached for the female lead. According to von Trier, Green was determined to appear in the film, but her agents refused to allow her.

The unsuccessful casting attempt took two months of the pre-production process. Eventually, Charlotte Gainsbourg expressed interest in the role, and by von Trier's words she was very eager to get cast: "Charlotte came in and said, 'I'm dying to get the part no matter what.

We had no problems whatsoever. Filming took 40 days to finish, from 20 August to the end of September The film was shot in the German state of North Rhine-Westphalia.

Locations were used in Rhein-Sieg-Kreis , part of the Cologne region including rural areas in Nutscheid [32] and Wuppertal. It was the first film by von Trier to be entirely filmed in Germany.

The film was shot on digital video, primarily using Red One cameras in 4K resolution. The slow motion sequences were shot with a Phantom V4 in 1, frames per second.

Filming techniques involved dollys , hand-held camerawork and computer-programmed "motion control", of which the team had previous experience from von Trier's film The Boss of It All.

One shot, where the couple is copulating under a tree, was particularly difficult since the camera would switch from being hand-held to motion controlled in the middle of the take.

Von Trier had not recovered completely from his depression when filming started. He repeatedly excused himself to the actors for being in the mental condition he was, and was not able to operate the camera as he usually does, which made him very frustrated.

Post-production was primarily located in Warsaw , Poland , and Gothenburg , Sweden. Over the time of two months, the Poles contributed with about 4, hours of work and the Swedes Most of these shots consist of digitally removed details such as the collar and leash used to lead the deer, but some were more complicated.

The scene where the fox utters the words "chaos reigns" was particularly difficult to make. The mouth movements had to be entirely computer-generated in order to synchronise with the sound.

The aria " Lascia ch'io pianga " from Handel 's opera Rinaldo is used as the film's main musical theme.

The film premiered during the Competition portion of the Cannes Film Festival to a polarized response from the audience. Two versions were available for buyers at the Cannes film market, nicknamed the "Catholic" and "Protestant" versions, where the former had some of the most explicit scenes removed while the latter was uncut.

The film does not contain material which breaches the law or poses a significant harm risk to adults. The sexual imagery, while strong, is relatively brief, and the Board has passed a number works containing such images.

This reflects the principle that adults should be free to decide for themselves what to watch or what not to watch, provided it is neither illegal nor harmful.

There is no doubt that some viewers will find the images disturbing and offensive, but the BBFC's consumer advice provides a clear warning to enable individuals to make an informed viewing choice.

The British Advertising Standards Authority received seven complaints about the film poster, which was based on the original poster and shows the couple as they are having sexual intercourse.

The organization decided to approve the poster, finding it to not be pornographic since its "dark tone" made it "unlikely to cause sexual excitement".

An alternative poster, featuring only quotes from reviews and no image at all, was used in outdoor venues and as an alternative for publishers who desired it.

In , seven years after its original release, the film was banned in France when the Catholic traditionalist group, Promouvoir, campaigned for a ratings reclassification of it.

The film was not submitted to the MPAA because the filmmakers expected an NC rating for its graphic violence and sex.

In Denmark, the film quickly became successful with both critics and audiences. Christensen accused the other Danish critics of overrating the film, himself calling it "a master director's failed work.

However, Antichrist polarized critical opinion in the United States. The website's critical consensus reads, "Gruesome, explicit and highly controversial; Lars von Trier's arthouse-horror, though beautifully shot, is no easy ride.

Von Trier, who has always been a provocateur, is driven to confront and shake his audience more than any other serious filmmaker.

He will do this with sex, pain, boredom, theology and bizarre stylistic experiments. And why not? We are at least convinced we're watching a film precisely as he intended it, and not after a watering down by a fearful studio executive.

That said, I know what's in it for Von Trier. What was in it for me? More than anything else, I responded to the performances.

Feature films may be fiction, but they are certainly documentaries showing actors in front of a camera. In a blog post, he expanded on this, discussing the film's symbolism, imagery and Trier's intentions, calling him "one of the most heroic directors in the world" and Antichrist "a powerfully-made film that contains material many audiences will find repulsive or unbearable.

The performances by Willem Dafoe and Charlotte Gainsbourg are heroic and fearless. Trier's visual command is striking. The use of music is evocative; no score, but operatic and liturgical arias.

And if you can think beyond what he shows to what he implies, its depth are [ sic ] frightening. Betsy Sharkey of the Los Angeles Times wrote: "The story of Antichrist is a tangled mess of sex, evil and death, with Von Trier making a stab at allegory and old-fashioned horror, but ultimately failing on both fronts You might think, given the He, She, Eden, etc.

It is not. Antichrist never rises to the symbolic; instead, it looks like nothing more than a reflection of one man's unresolved issues with the sexual liberation of women.

But paradoxically, this is his most unwatchable film, and many will find its violence and cruelty, including scenes of genital mutilation, repellent.

I cannot recommend Antichrist , but in a culture that hemorrhages death and torture nightly on shows like 24 or C.

Arguments for censorship were common in the British press, with much criticism rooted in the EU funding the film received. He noted that "Trier's self-conscious arrogance is calculated to split audiences into extremist factions, but Antichrist delivers enough beauty, terror and wonder to qualify as the strangest and most original horror movie of the year.

In Australia's The Monthly , film critic Luke Davies viewed it as "a bleak but entrancing film that explores guilt, grief and many things besides Davies described the film as "very good and very flawed", conceding "it is not easy to understand the meaning or intention of specific images and details of the film" but still concludes that "there's something neurotic and reactionary in the controversy and near-hysteria surrounding the film.

The poster received much international coverage at the end of and was used as the local DVD cover. According to a June article in the Danish newspaper Politiken , a video game called Eden , based on the film, was in the works.

It was to start where the film ended. From Wikipedia, the free encyclopedia. Not to be confused with The Antichrist film.

Theatrical release poster. Willem Dafoe Charlotte Gainsbourg. The cast of Antichrist in British Board of Film Classification.

Retrieved 30 May Retrieved 8 October Retrieved 27 December

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